Converting Flip Video To Other Video Formats By WIKI
Flip video converter is seen as the best way to convert flip video files. All Flip family support: Flip Mino, Flip Ultra, Flip MinoHD, Flip UltraHD, and new Flip SlideHD. Transfer and convert Flip video with Flip video converter!
...Read More »
Production Assistant for Sony Vegas Pro: From a Final Cut Pro User's Perspective By Heath McKnight
Sony Creative Software introduced Production Assistant for Vegas Pro as a way to streamline post-production, and I have to say, it's a terrific plug-in, created along with VASST. As a Final Cut Pro editor, I take a different look at the software, and I also discuss Vegas Pro version 9.
...Read More »
Complete Training for NewTek SpeedEDIT: Outputting the finished project By Faraz Ahmed
In this video, host Faraz Ahmed discusses outputting your projects to tape and to different file formats. He shows the Speededit tools needed to complete the output process. He shows the most reliable way to output back to tape. The process is identical in DV and HDV with the exception that HDV is 16:9. Speed Edit does not care what the format is, at it will scale accordingly.
...Read More »
Yosemite National Park. . .in High Definition 3D By John Virata
While 3D films have been around since at least the 1950s, the technique of creating 3D movies gets revisited quite often. Back in the mid 1990s at SIGGRAPH in New Orleans, Sony showed a 3D film at one of its after hours parties at the Aquarium, to the delight of all who were invited to screen it. At this year's NAB trade show in Las Vegas, all the major camera manufacturers were showcasing 3D displays and some had 3D camera demonstrations in their booths.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Organizing your assets By Antony Bolante
Now that you've imported the footage that you want to work on in your project, now is the time to organize it. In this clip, Lynda.com host Antony Bolante discusses how to organize your media so that you can work more efficiently and avoid wasting time hunting for the items that you want.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Bins By Antony Bolante
In this clip, Lynda.com host Antony Bolante discusses what Bins are and how the top most level of the project panel, also known as the master Bin. He shows how to create a new Bin, marquee select clips to place in a Bin, close the Bin, and how to organize items into Bins. He also shows how to open and close Bins as well as other neat Bin tricks.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Markers By Antony Bolante
In this clip, Lynda.com host Antony Bolante discusses marking important frames in your project, particularly the range of frames you want to include in the sequence. He shows how to do this using markers. The focus is on clip markers.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Logging By Antony Bolante
In this clip, Lynda.com host Antony Bolante discusses how to watch the tape and log the shots you want before you capture them. He details how to log the tape using the playback controls and the controls in the logging area of the capture panel, which enables you to specify if you want to capture the video and the audio or just the video or audio.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Batch Capture By Antony Bolante
In this clip, Lynda.com host Antony Bolante discusses how to use the batch capture feature in Premiere Pro CS4. He details how when logging clips the files are still not captured, and how you can use the batch capture command to capture the entire group of logged clips, or selecting just those clips that you think you will use.
...Read More »
The Sony HDR-CX100 By Douglas Spotted Eagle
AVCHD has exploded on the consumer and pro-sumer scene like a new star at the Oscars, and the CX100 is the newest "actor" in the AVCHD lineup from Sony.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Video Capture By Antony Bolante
In this clip, Lynda.com host Antony Bolante discusses how to import tape-based footage from the tap to the computer. He shows how to capture footage from DV format tape, but explains the process is similar with other tape based formats.
...Read More »
Final Cut Pro 6 Techniques: Editing with Canon's 24F By Heath McKnight
When Canon introduced its professional HDV systems (the XLH1, XHG1 and XHA1), they featured three interesting frame rate features: 24f, 30f and the optional 25f. The f stands for full frame, and is very much like progressive-scan video (24p, 30p and 25p). This frame rate wasn't able to be cut on Final Cut Pro (FCP) until recently. There are two ways to cut Canon HDV footage running at this frame rate with FCP 6:
...Read More »
Final Cut Pro 6 Level 3: Ripple and Rolling edits By Jerry Leer
In this training video, host Jerry Leer covers ripple and rolling edits. He setys up FCP for Ripple editing and describes what a ripple edit is and what it does to your timeline. He also covers what a rolling edit is as well and gives detailed explanation on how to perform a ripple and rolling edit.
...Read More »
Outfitting your Portable Final Cut Pro Workstation By Heath McKnight
Final Cut Pro editors are always looking for ways to bring the show on the road, and Apple s laptops are more powerful than ever before. These speedy machines can be used for editing video with Final Cut Pro or Final Cut Express, not to mention iMovie. Even the consumer-friendly MacBook packs enough punch under the hood, with new models achieving a maximum of 4GB RAM that can be added, to cut video without a problem. Below are a couple of set-ups for a great portable Final Cut Pro (FCP) workstation.
...Read More »
Getting the most for your dollar when choosing your editing package By Kevin McAuliffe
These days, it seems like everyone out there has an editing package. Apple has Final Cut Studio, Avid has Media Composer that you can bundle with Studio Toolkit (on Windows only), Adobe has Creative Suite - Production Bundle and even Sony has the Vegas Pro editing bundle, but with all these choices out there, what should you choose?
...Read More »
HD Primer By Douglas Spotted Eagle
Never before has the video industry seen such an explosion of formats as we're experiencing today, and along with the plethora of formats comes confusion about what HD is and what it isn't. Rarely does a day go by that we don't hear the phrase "True HD" or "Full HD" in the context of comparing camcorders and/or formats.
...Read More »
What's new in Final Cut Pro 6: New Video Effects Filters Part 2 By Diana Weynand
As we discussed in Part 1 of new Video Effects Support in Final Cut Pro 6, Motion`s effects are created using Apple`s FxPlug architecture while FC`s effects use FxScript plugins. You can tell which effects are being shared with Motion by looking at the Effect Class column in the Effects tab in the Browser window.
...Read More »
Making a Logo Transparent Using Sony Vegas By Jeffrey P. Fisher
One powerful reason to choose Sony Vegas as your NLE is how its myriad of tools let you to accomplish so many tasks directly inside the program. I?d say that 90% of the time there is no need to employ other software. For example, a client gives you their logo graphic to place in a video project. Unfortunately, this logo has a white background instead of a transparent one and you?d like to key it over video. But the white is in the way.
...Read More »
Placing Video Inside a Title with Sony Vegas By Jeffrey P. Fisher
Is your titling with Sony Vegas a bit blasé these days? Here?s a technique that can bring some pizzazz to otherwise bland white letters on a background. Consider adding motion that appears inside the letters and compositing that over another video. That?s a powerful look that every Sony Vegas user should know how to do.
...Read More »
First Look: SmoothCam & Background Processing - The Future of Final Cut Pro By Kevin McAuliffe
About a month into the launch of Final Cut Studio 2, I thought I would take an in depth look at one of the best new features of FCP, which is SmoothCam and Background Processing. Both these features go hand in hand and with what I have seen, this could be giving us a glimpse of the future of Final Cut Pro.
...Read More »
In Hollywood, there is little doubt that MAXON's CINEMA 4D is the 3D motion graphics artist's best friend. For years, I've been telling you about how easy it is to use, what brilliantly stunning images it produces, how quickly it renders through projects, it's offering of dynamic animation, and, most recently, about its increasingly powerful set of motion graphics tools which fit neatly into production pipelines. So, what could possibly be better than all that has come before? Plenty.
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NO...Doesn't have a thing to do with "that" smartphone...or "that" store...or "that" tablet. It's the next generation. Kids and we mean little kids. That's what today's products are being designed for/targeted at. You happen to buy one...fine. Watch a little, little kid pick up a smartphone. He/she just uses it. They've come pre-wired and we're still trying to figure out how to IM. It's the IGen. They want it instantly. They want to use it instantly. They expect their photos, their video, their music, their stuff immediately when/where/how they want it.
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In this clip, lynda.com host Mark Abdelnour takes a look at proxy bidding. He discusses the strategy and how it works. He also discusses the maximum bid, and when to use Proxy bidding.
Read More
The blood, gore, adrenalin challenges that were unveiled at E3 and enjoyed at ComicCon are fun to look at, easy to hold but are they really the games people want to plunk down their credit cards to own or rent time with? Seems as though the investors, the players who control the controllers have a different idea of a "good" game than the kids who develop them. While mobs of people play educational, informational, stimulating games our kid huddles in his room and mumbles "The Few, The Proud, The Gamers."
Read More
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Converting Flip Video To Other Video Formats
Flip video converter is seen as the best way to convert flip video files. All Flip family support: Flip Mino, Flip Ultra, Flip MinoHD, Flip UltraHD, and new Flip SlideHD. Transfer and convert Flip video with Flip video converter!
...Read More »
Production Assistant for Sony Vegas Pro: From a Final Cut Pro User's Perspective
Sony Creative Software introduced Production Assistant for Vegas Pro as a way to streamline post-production, and I have to say, it's a terrific plug-in, created along with VASST. As a Final Cut Pro editor, I take a different look at the software, and I also discuss Vegas Pro version 9.
...Read More »
Complete Training for NewTek SpeedEDIT: Outputting the finished project
In this video, host Faraz Ahmed discusses outputting your projects to tape and to different file formats. He shows the Speededit tools needed to complete the output process. He shows the most reliable way to output back to tape. The process is identical in DV and HDV with the exception that HDV is 16:9. Speed Edit does not care what the format is, at it will scale accordingly.
...Read More »
Yosemite National Park. . .in High Definition 3D
While 3D films have been around since at least the 1950s, the technique of creating 3D movies gets revisited quite often. Back in the mid 1990s at SIGGRAPH in New Orleans, Sony showed a 3D film at one of its after hours parties at the Aquarium, to the delight of all who were invited to screen it. At this year's NAB trade show in Las Vegas, all the major camera manufacturers were showcasing 3D displays and some had 3D camera demonstrations in their booths.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Organizing your assets
Now that you've imported the footage that you want to work on in your project, now is the time to organize it. In this clip, Lynda.com host Antony Bolante discusses how to organize your media so that you can work more efficiently and avoid wasting time hunting for the items that you want.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Bins
In this clip, Lynda.com host Antony Bolante discusses what Bins are and how the top most level of the project panel, also known as the master Bin. He shows how to create a new Bin, marquee select clips to place in a Bin, close the Bin, and how to organize items into Bins. He also shows how to open and close Bins as well as other neat Bin tricks.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Markers
In this clip, Lynda.com host Antony Bolante discusses marking important frames in your project, particularly the range of frames you want to include in the sequence. He shows how to do this using markers. The focus is on clip markers.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Logging
In this clip, Lynda.com host Antony Bolante discusses how to watch the tape and log the shots you want before you capture them. He details how to log the tape using the playback controls and the controls in the logging area of the capture panel, which enables you to specify if you want to capture the video and the audio or just the video or audio.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Batch Capture
In this clip, Lynda.com host Antony Bolante discusses how to use the batch capture feature in Premiere Pro CS4. He details how when logging clips the files are still not captured, and how you can use the batch capture command to capture the entire group of logged clips, or selecting just those clips that you think you will use.
...Read More »
The Sony HDR-CX100
AVCHD has exploded on the consumer and pro-sumer scene like a new star at the Oscars, and the CX100 is the newest "actor" in the AVCHD lineup from Sony.
...Read More »
Adobe Premiere Pro CS4 Essential Training: Video Capture
In this clip, Lynda.com host Antony Bolante discusses how to import tape-based footage from the tap to the computer. He shows how to capture footage from DV format tape, but explains the process is similar with other tape based formats.
...Read More »
Final Cut Pro 6 Techniques: Editing with Canon's 24F
When Canon introduced its professional HDV systems (the XLH1, XHG1 and XHA1), they featured three interesting frame rate features: 24f, 30f and the optional 25f. The f stands for full frame, and is very much like progressive-scan video (24p, 30p and 25p). This frame rate wasn't able to be cut on Final Cut Pro (FCP) until recently. There are two ways to cut Canon HDV footage running at this frame rate with FCP 6:
...Read More »
Final Cut Pro 6 Level 3: Ripple and Rolling edits
In this training video, host Jerry Leer covers ripple and rolling edits. He setys up FCP for Ripple editing and describes what a ripple edit is and what it does to your timeline. He also covers what a rolling edit is as well and gives detailed explanation on how to perform a ripple and rolling edit.
...Read More »
Outfitting your Portable Final Cut Pro Workstation
Final Cut Pro editors are always looking for ways to bring the show on the road, and Apple s laptops are more powerful than ever before. These speedy machines can be used for editing video with Final Cut Pro or Final Cut Express, not to mention iMovie. Even the consumer-friendly MacBook packs enough punch under the hood, with new models achieving a maximum of 4GB RAM that can be added, to cut video without a problem. Below are a couple of set-ups for a great portable Final Cut Pro (FCP) workstation.
...Read More »
Getting the most for your dollar when choosing your editing package
These days, it seems like everyone out there has an editing package. Apple has Final Cut Studio, Avid has Media Composer that you can bundle with Studio Toolkit (on Windows only), Adobe has Creative Suite - Production Bundle and even Sony has the Vegas Pro editing bundle, but with all these choices out there, what should you choose?
...Read More »
HD Primer
Never before has the video industry seen such an explosion of formats as we're experiencing today, and along with the plethora of formats comes confusion about what HD is and what it isn't. Rarely does a day go by that we don't hear the phrase "True HD" or "Full HD" in the context of comparing camcorders and/or formats.
...Read More »
What's new in Final Cut Pro 6: New Video Effects Filters Part 2
As we discussed in Part 1 of new Video Effects Support in Final Cut Pro 6, Motion`s effects are created using Apple`s FxPlug architecture while FC`s effects use FxScript plugins. You can tell which effects are being shared with Motion by looking at the Effect Class column in the Effects tab in the Browser window.
...Read More »
Making a Logo Transparent Using Sony Vegas
One powerful reason to choose Sony Vegas as your NLE is how its myriad of tools let you to accomplish so many tasks directly inside the program. I?d say that 90% of the time there is no need to employ other software. For example, a client gives you their logo graphic to place in a video project. Unfortunately, this logo has a white background instead of a transparent one and you?d like to key it over video. But the white is in the way.
...Read More »
Placing Video Inside a Title with Sony Vegas
Is your titling with Sony Vegas a bit blasé these days? Here?s a technique that can bring some pizzazz to otherwise bland white letters on a background. Consider adding motion that appears inside the letters and compositing that over another video. That?s a powerful look that every Sony Vegas user should know how to do.
...Read More »
First Look: SmoothCam & Background Processing - The Future of Final Cut Pro
About a month into the launch of Final Cut Studio 2, I thought I would take an in depth look at one of the best new features of FCP, which is SmoothCam and Background Processing. Both these features go hand in hand and with what I have seen, this could be giving us a glimpse of the future of Final Cut Pro.
...Read More »
Vegas Pro 8 + Free Vegas Seminar Series
